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Symbolism In Medieval Thought And Its Consummation In The Divine Comedy


RELATED BOOKS:
Symbolism in Medieval Thought and Its Consummation in the Divine Comedy
Language: en
Pages: 563
Authors: Helen Flanders Dunbar
Categories: Mysticism
Type: BOOK - Published: 1961 - Publisher:

Books about Symbolism in Medieval Thought and Its Consummation in the Divine Comedy
Symbolism in Medieval Thought and Its Consummation in the Divine Comedy, Etc. [A Thesis, with a Bibliography.].
Language: en
Pages: 563
Authors: Helen Flanders DUNBAR
Categories: Mysticism
Type: BOOK - Published: 1929 - Publisher:

Books about Symbolism in Medieval Thought and Its Consummation in the Divine Comedy, Etc. [A Thesis, with a Bibliography.].
The Divine Comedy and the Encyclopedia of Arts and Sciences
Language: en
Pages: 385
Authors: Giuseppe C. Di Scipio, Aldo Scaglione
Categories: Literary Criticism
Type: BOOK - Published: 1988-01-01 - Publisher: John Benjamins Publishing

The guiding principle of this volume is the concept of the artes liberales, the trivium and quadrivium, as branches of learning that are rooted in Dante Alighieri’s mind. The present volume contains essays by leading international scholars on the various scientific and artistic disciplines which form the background, sources, and
The Dante Encyclopedia
Language: en
Pages: 1040
Authors: Richard Lansing
Categories: History
Type: BOOK - Published: 2010-09-13 - Publisher: Routledge

The Dante Encyclopedia is a comprehensive resource that presents a systematic introduction to Dante's life and works and the cultural context in which his moral and intellectual imagination took shape.
Shakespeare and the Triple Play
Language: en
Pages: 239
Authors: Sidney Homan
Categories: Literary Criticism
Type: BOOK - Published: 1988 - Publisher: Bucknell University Press

Developing the interrelationship of Shakespeare scholarship, performance, and teaching, the contributors to this collection, including scholars of the People's Republic of China, share the perspective that Shakespeare's plays be viewed as texts to be enacted, whether on the theater stage or the stage of the mind's eye.